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OUR SUMMER 2012 ISSUE HAS BEEN POSTED UNDER 2012 EDITIONS

 

 

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ARTSCAPE 31 BALTIMORE

ARTSCAPE 31 AGAIN MAKES MICA THE CENTER OF BALTIMORE’S ART WORLD
During Festival the College Offers Exhibition, Art Sale

Maryland Institute College of Art (MICA) continues to serve as the anchor for Artscape, the nation’s largest free arts festival, from Friday, July 20–Sunday, July 22. Organized by the Baltimore Office of Promotion & the Arts and now in its 31st year, crowds of hundreds of thousands are expected to sample art, culture and cuisine in the streets around campus and in MICA’s galleries. This year, MICA will once again host the Janet & Walter Sondheim Artscape Prize Semifinalists and will hold a special edition of MICA Art Market.

2012 Janet & Walter Sondheim Artscape Prize Semifinalists
Friday, July 20–Sunday, August 5
Special Gallery Hours During Artscape: Friday, July 20 and Saturday, July 21, 11 a.m. –9 p.m.; Sunday, July 22, 11a.m. –8 p.m.
Fox Building: Decker and Meyerhoff galleries, 1303 W. Mount Royal Ave.
Reception: Thursday, July 19, 6–9 p.m.
As part of its sponsorship for the festival, MICA provides campus space and facilities to host the annual Janet & Walter Sondheim Artscape Prize Semifinalists. The prize is one of the most prestigious cultural awards in Maryland: a $30,000 fellowship. Jurors this year include Brooklyn-based multimedia artist and alumna Shinique Smith ’03; Jane Hait, co-owner and director of Wallspace Gallery in New York City; and Carlos Basauldo, curator of contemporary art at the Philadelphia Museum of Art.

MICA community members vying for the prize as finalists are student Jonathan Duff (Mount Royal School of Art), Matthew Janson ’09 (Mount Royal) and Photographic & Electronic Media faculty member John McNeil ’11. Additionally, those who made it to the semifinalist round include staff member John Bohl ’05 (painting), faculty member Lauren Boilini ’08 (Mount Royal), faculty member Gabriela Bulisova ’02 ’05 (photography, Photographic & Electronic Media), Leah Cooper ’09 (Studio Art), faculty member Brent Crothers ’89 ’03 (sculpture, Rinehart School of Sculpture), Caitlin Cunningham ’05 (general sculptural studies), Annie Farrar ’04 (painting), staff member Shaun Flynn ’01 (general fine arts), Carrie Fucile ’04 (Post-Baccalaureate Certificate in Fine Arts), Clarissa Gregory ’07 ’09 (Post-Baccalaureate Certificate in Fine Arts, Mount Royal), faculty member Joshua Haycraft ’09 (Mount Royal), Ricardo Hoegg ’88 (Hoffberger School of Painting), Lillian Hoover ’05 (Mount Royal), faculty and staff member Ryan Hoover ’06 (Mount Royal), Laura Hudson ’11 (Mount Royal), Mark Isaac ’07 ’08 (Digital Arts, Photographic &  Electronic Media), faculty member Nate LarsonNicole Lenzi ’07 (Studio Art), Katherine Mann ’09 (Hoffberger), faculty member Matthew McConvilleSarah McNeil ’11 (Mount Royal), Steven Pearson ’97 (Hoffberger), faculty member Molly Springfield ’00 (Post-Baccalaureate Certificate) and faculty member Michael Zebrowski.

MICA Art Market Special Edition
Friday, July 20–Sunday, July 22, 11 a.m. –8 p.m.
Brown Center: Leidy Atrium, 1301 W. Mount Royal Ave.
A special edition of MICA Art Market, a December holiday tradition, will be held over Artscape weekend. Twenty-five staff and faculty members will showcase and sell fine art and handmade objects. Visitors can talk one-on-one with artists about their work while enjoying the market’s lively atmosphere and supporting the local economy. A portion of the proceeds from sales at MICA Art Market go to student scholarships.

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MFA Casino Night


It’s a Casino Night with an Artistic Twist
Tickets are going fast! Get yours today!

Queen of Arts Card Party & Art Auction
Benefiting the Maryland Federation of Art

Food, Drinks, Music, Fun, Games & Art!

May 18th, 6-10 pm
Annapolis Maritime Museum
723 Second Street Eastport – Annapolis MD
$75 per person includes chips to get you started – plus food, drinks,
and one deck of artful MFA playing cards

Food courtesy of
Paladar Latin Kitchen and Rum Bar

Tickets and MFA Playing Cards are limited!
Don’t Miss Out on the Fun!!!
See How Much Fun We Had Last Year – and Buy Your Ticket Today!

Play blackjack, roulette, craps and more! Sip Champagne, beer or wine — or enjoy our signature cocktail inspired by art. Enjoy hors d’oeuvres and dinner overlooking the Severn River.

Bid on original art created by renown local artists!

Go home with a collector’s deck of MFA playing cards, each featuring a different work of art created by a local artist.

Music by the Riverside Carnival Band

Christalene Karaiskakis, award winning Australian Artist,
will be on hand to transform your look with face and body art, then have a caricature drawn by local artist Carolyn Councell.

18 State Circle | Annapolis, MD 21401 US

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Susan Calloway Fine Arts Presents…

 

Roxanne Weidele: Sanctuaries Along the Chesapeake

Artist Reception:
Friday, May 18, 2012, 6-8pm
at
Thos. Moser’s DC Showroom
3300 M Street NW – Washington, D.C.
202-338-4292,
thosmoser.com

On view thru July 2, 2012

Low Tide
Low Tide, pastel on paper, 33″ x 23″

Sanctuaries Along the Chesapeake, features pastels of the Chesapeake Bay and its many tributaries by Roxanne Weidele. Through the medium of pastel chalk, Weidele uses both her palms and fingers to “sculpt” her admiration for this wetland landscape, revealing its vivid colors. Weidele, as an avid kayaker and hiker, uses her outings as inspiration to create pastels which translate her deep appreciation and connection to these waterscapes.

Ms. Weidele was born and raised in New York City, and spent thirty-one years as an art educator at Southern Senior High School in Anne Arundel County, MD. In 2011, she received the pastel award for her contribution to the annual juried show at the Salmagundi Club in NYC. Weidele currently lives in Galesville, MD, where she is a part-owner of the River Gallery in Galesville, and a member of the Muddy Creek Artist Guild.
Artist Statement: I aim to translate the sense of tranquility and beauty I see in nature to my landscapes. The wetlands are sanctuaries for me, and I hope my pastels can help to bring attention to the water and the restorative qualities this natural environment provides. Ultimately, I hope this will give further reason to protect it.
 

View Roxanne Weidele’s work on our website

For more information, please contact 

Susan Calloway Fine Arts
1643 Wisconsin Avenue NW – Washington, DC 20007
202-965-4601     gallery@callowayart.com     callowayart.com

Gallery Hours: Tuesday through Saturday 10-5, Sunday and Monday by appointment

or

Thos. Moser’s DC Showroom
3300 M Street NW – Washington, DC 20007
202-338-4292     dcshowroom@thosmoser.com     thosmoser.com

Showroom Hours: Monday – Saturday 10-6, Sunday 11-5

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Hemphill Fine Art


Steven Cushner: Works on Paper
June 8–July 28, 2012

Washington DC—HEMPHILL opens Steven Cushner: Works on Paper on Friday, June 8, 2012, with a public reception from 6:00–8:00pm. The exhibition will remain on view through July 28, 2012.

“If you weren’t painters what would you be?”

Steven Cushner and William Willis hold a longstanding dialogue, literally and aesthetically. In 2010, HEMPHILL invited both artists to exhibit simultaneously: Cushner’s recent paintings and Willis’ works on paper. The agreement was that a future synchronous exhibition would bring the two together again in a reversal of roles. This summer HEMPHILL is pleased to present Steven Cushner’s new works on paper in tandem with Willis’ paintings.

Cushner states that he works to find a place “between gesture and image, between my thoughts and feelings and the possibilities and limitations of my materials, between becoming and arriving.”

Working always on canvas and paper simultaneously, Cushner treats his works on paper as diary pages on ideas for painting. Employing repetitive references to concrete ideas, and meditations on color and composition, the works on view provide insight into the artist’s working process. Yet, his confident hand and mastery of the medium elevates these sketches to finished works of art. Compared to his large-scale canvases, these smaller works allow Cushner to visually communicate everyday gestures and emotions both intimately and succinctly.

Steven Cushner is a graduate of the Rhode Island School of Design and received his Master of Fine Arts in painting from the University of Maryland in 1980. His work is included in numerous private and public collections, including the Hirshhorn Museum and Sculpture Garden, Washington, DC, and the Corcoran Gallery of Art, Washington, DC.

This exhibition is concurrent with William Willis: Keeping It Alive, on view June 8 through July 28, 2012.

HEMPHILL
1515 14th Street NW
Washington DC, 20005
202-234-5601
gallery@hemphillfinearts.com
www.hemphillfinearts.com

 

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Art Frederick

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CALL FOR ENTRIES: MiniSolos@Touchstone

 

MiniSolos@Touchstone Gallery in August
An opportunity to hang as much artwork as possible in a space 10ft x 4ft for the month of August at Touchstone Gallery a contemporary gallery in the heart of Washington, DC. Digital images of all artwork required with application. There will be room for only 38 artists; each space about 10ft high x 4ft and 1 floor space for sculptor 5ft x 5ft. $240 hanging fee; work will be installed by our hanging committee. No entry fee. Application deadline: Sunday, May 22, 2012, 12 midnight. Must submit filled out application form downloaded from www.touchstonegallery.com E-mail it toimages.touchstone@gmail.com along with images of the works you intend to show. 

 

 

 

 

 

Full Prospectus, Application form and other information are available for download on Touchstone’swebsite: www.touchstonegallery.com or click on the links below:

Prospectus (PDF)
Application Form (Excel)
Artist Contract/Agreement (PDF)
Labels – sample (PDF)

 

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Zenith Gallery Presents

New Works by Stephen Hansen

Hansen

Images top l-r: Litigator, Profit and Loss

bottom l-r: The Powers that Be, Pack of Pups

You can see these works and more in our current exhibit, In Loving Memory,
extended through May.

_______________________________________________________________________________

OPENING NEW SCULPTURE GARDEN
at Zenith Salon Gallery

Sculpture Garden Opening Events

Meet the Artists Reception: Saturday, May 19th, 2:00 – 8:00 pm
Fire Painting Demonstration by Peter Kephart, 5:00 pm

Zenith Salon Gallery has become a wonderland of art and imagination, opening its fabulous new sculpture garden this May 19th. There will be lots of fantastic new sculpture by Zenith sculptors as well as new artists exhibiting with Zenith for the first time. Spring is the perfect time to wander through the newly designed sculpture garden.

images top, l-r: High Gear by Craig Schaffer, For Giving by Patti Porter Firestone
middle row, l-r: Ascension by David Hubbard, Propane Tank Bench by Colin Selig
bottom row, l-r: Peter Kephart fire painting demonstration, A Cloud of Light Spots, by Kephart

___________________________________________________________

Zenith Gallery Salon at
1429 Iris Street NW, WDC 20012 (just off 16th Street)

Open Saturdays 12-6
Any other time by appointment

 

 

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SPRING 2012 DUNCAN PHILLIPS LECTURE

RENOWNED CURATOR AND ART HISTORIAN GARY TINTEROW TO DELIVER LECTURE

WHAT: In “Private Collections, Public Institutions: A Case History at TheMetropolitan Museum of Art”, Tinterow discusses his experience as chairman of the Met’s department of 19th-century, modern, and contemporary art, and the
collectors and acquisitions that shaped the history of the museum. After nearly three decades at the Metropolitan Museum of Art, Tinterow is now director of the Museum of Fine Arts, Houston.

WHY: Duncan Phillips Lectures present distinguished artists,
historians, and critics speaking on a broad range of aesthetic concerns. Started in 1987, the series honors Duncan Phillips, founder of The Phillips Collection.

WHEN: Thurs., May 17, 6 p.m.

COST: $20; $8 for members; free for students. Registration required: www.phillipscollection.org/calendar

WHERE: The Phillips Collection
1600 21st St., NW. Metro: Dupont Circle (Q St. exit)

 

 

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Conner Contemporary Art


Leo Villareal: New Work

May 12 – June 30, 2012
opening night reception: May 12th: 6-8pm

Conner Contemporary Art is proud to present Leo Villareal’s fifth solo exhibition with the gallery. Villareal’s latest body of work enacts formal inquiries into imagery closely identified with modernity, reimagining colors and forms in the works of post-painterly abstractionists Frank Stella, Kenneth Noland, and Ellsworth Kelly.

Villareal introduces temporal actions of light into traditional abstract imaging, using LEDs (light emitting diodes), custom software and sequencing. With these new media the artist explores, in single digital sculptures, extensive frameworks produced in serial paintings, such as the colorful concentric squares in Frank Stella’s Scramble series. Villareal activates familiar static forms, changing their color, definition, intensity, and duration. His imagery unfolds gradually, as if revealing the live application of pigments, a process that color painters of the 1950s and 60s concealed in their canvases.

The diffuse, pared down and unhurried imagery of Villareal’s new works place them among his most minimal creations. Target (2) recalls Noland’s gravitation toward the center in the iconic Target series. Concentric rings of glowing color gradients appear to push out beyond the surface of the piece and pull behind it, evoking the plasticity of Anish Kapoor’s optical sculptures. Villareal achieves a different sense of depth in Coded Spectrum, where thirteen planes of color vibrate subtly within a white metal grid that seems to pop out from the color ground like bars in a Peter Halley painting. Though Kelly embraced randomness as he explored color relationships in the Spectrum series, Villareal limits its role in this work. Selecting the palette himself, rather than letting the computer do it randomly, he distills artistic judgment into his own code.

As Villareal reconsiders post-painterly forms and colors, he re-conceptualizes the art historical category of abstraction and updates the modern aesthetic with digital color-field imaging.

Villareal’s work was recently acquired by The Phillips Collection, Washington, DC and his site-specific installation, Multiverse, is in the permanent collection The National Gallery of Art, Washington, DC. Both works are currently on view.

Additionally, the artist’s is represented in the following international collections: Museum of Modern Art, New York, NY; The Albright-Knox Art Gallery, Buffalo, NY; Arario Museum, Seoul, Korea; Brooklyn Museum of Art, Brooklyn, NY. Site-specific installations include: Borusan Music & Art House, Istanbul, Turkey; Brooklyn Academy of Music, Brooklyn, NY; Nerman Museum of Contemporary Art, Overland Park, KS; PS1/MoMA, Long Island City, NY; Grand Central Station, New York, NY.

Villareal’s first major museum survey debuted at the San Jose Museum of Art, San Jose, CA last year and is currently on view at the Telfair Museum of Art, Savannah, GA. The survey will open September 8th at the Madison Museum of Contemporary Art in Madison, Wisconsin and be on view through December 30, 2012. A catalogue published by Hatje Cantz accompanies the exhibition.

There will be an opening night reception at Conner Contemporary Art, Saturday, May 12th from 6 to 8pm. Artist in attendance.

For further information or images, please contact the gallery @ 202-588-8750 / info@connercontemporary.com.
Conner Contemporary Art is located at 1358 Florida Avenue, NE –Washington, DC 20002 in the Historic Atlas/H Street Area. Gallery hours are Wednesday – Saturday 10-5pm and by appointment.

CONNER CONTEMPORARY ART
Washington, DC 20002
v: 202-588-8750
info@connercontemporary.com
www.connercontemporary.com

Join us on Facebook

 

 

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Galerie Lareuse | Art of the Month

Galerie Lareuse
May 2012
___________________________

 

“Each morning when I awake, I experience again a supreme pleasure…that of being Salvador Dali.”
-Salvador Dali

 

Artist: Salvador Dali (1904-1989)
Title: “La grande Place des Vosges, du temps de Louis XIII”
Medium: Heliogravure
Date: c.1958
Edition: 105/125
Image Size: 23 1/2 x 17 1/2″
Signature: Lower Right in Pencil
Price: $4,800-

______________

Dali in Madrid and Paris

In 1922, Dalí moved into the Residencia de Estudiantes (Students’ Residence) inMadrid and studied at the Academia de San Fernando (School of Fine Arts). A lean 1.72 m (5 ft. 7¾ in.) tall, Dalí already drew attention as an eccentric anddandy. He wore long hair and sideburns, coat, stockings, and knee breeches in the style of English aesthetes of the late 19th century.

At the Residencia, he became close friends with (among others) Pepín Bello, Luis Buñuel, and Federico García Lorca. The friendship with Lorca had a strong element of mutual passion, but Dalí rejected the poet’s sexual advances.

However it was his paintings in which he experimented with Cubism that earned him the most attention from his fellow students. At the time of these early works, Dalí probably did not completely understand the Cubist movement. His only information on Cubist art came from magazine articles and a catalog given to him by Pichot, since there were no Cubist artists in Madrid at the time. In 1924, the still-unknown Salvador Dalí illustrated a book for the first time. It was a publication of the Catalan poem “Les bruixes de Llers” (“The Witches of Llers”) by his friend and schoolmate, poet Carles Fages de Climent. Dalí also experimented with Dada, which influenced his work throughout his life.

Dalí was expelled from the Academia in 1926, shortly before his final exams when he was accused of starting an unrest. His mastery of painting skills was evidenced by his realistic The Basket of Bread, painted in 1926. That same year, he made his first visit to Paris, where he met Pablo Picasso, whom the young Dalí revered. Picasso had already heard favorable reports about Dalí from Joan Miró. As he developed his own style over the next few years Dalí made a number of works heavily influenced by Picasso and Miró.

Some trends in Dalí’s work that would continue throughout his life were already evident in the 1920s. Dalí devoured influences from many styles of art, ranging from the most academically classic, to the most cutting-edge avant garde. His classical influences included Raphael, Bronzino, Francisco de Zurbarán, Vermeer, and Velázquez. He used both classical and modernist techniques, sometimes in separate works, and sometimes combined. Exhibitions of his works in Barcelonaattracted much attention along with mixtures of praise and puzzled debate fromcritics.

Dalí grew a flamboyant moustache, influenced by 17th-century Spanish master painter Diego Velázquez. The moustache became an iconic trademark of his appearance for the rest of his life.

La Place des Vosges, Paris  

A Symmetrical Design
The history of the Place des Vosges goes back to 1604 when King Henry IV built a Royal pavilion at the southern end of the square. The building was designed by Baptiste du Cerceau. The King ordered all 35 other buildings bordering the square to follow the same design. The result, an early example of urban planning, is a symmetrical square surrounded by buildings with red brick and white stone facades, steep slate roofs and dorm windows, all constructed over arcades. The Royal pavilion at the center of the southern side, the so-called King’s pavilion, was built on top of a gateway. At the northern side mirroring the King’s pavilion is the Queen’s pavilion.
Hôtel de Tournelles
Before the 17th century, another prominent building occupied the northern end of the square: the ‘Hôtel de Tournelles’. This grand building was constructed in 1388 and served as a residence for the Royal family until 1559, when King Henry II was severely wounded during a tournament held at the site. He died ten days later in the Hôtel de Tournelles. His wife, Catherine de Medicis, had the building demolished and Statue of Louis XIII moved to the Louvre.
Place Royale
The square was officially inaugurated in 1612 as the ‘Place Royale’. At that time merely a lawn, it was a favorite place for duels. In 1639 Richelieu had an equestrian statue of King Louis XIII erected at the center of the square. It was destroyed during the French Revolution but a new statue of King Louis XIII was installed in 1825.
The Taxpaying Department
In 1800 Napoleon changed the name of the square from ‘Place Royale’ to ‘Place des Vosges’ to show his gratitude towards the Vosges department, the first department in France to pay taxes. It was again renamed Place Royale in 1815, only to be changed yet again into ‘Place des Vosges’ in 1870.
Maison de Victor Hugo
Many famous Frenchmen lived here, among them Richelieu and Victor Hugo.
Cardinal Richelieu, who became prime minister of France in 1624 lived at nr 21 from 1615 to 1627. Victor Hugo, author of ‘The Hunchback of Notre Dame’ lived on the second floor of house nr 6, the ‘Hôtel de Rohan-Guéménée’, from 1832 to 1848. The house, now called ‘Maison de Victor Hugo’ is turned into a museum. You can visit the rooms where Victor Hugo wrote most of ‘Les Misérables’. On display are souvenirs, drawings and books, all in chronological order, from his childhood to his exile between 1852 and 1870.

Location
The Place des Vosges is now a peaceful place, a nice central park surrounded by arcades with shops and cafes. It is located in the historical Marais district, in the 3rd arrondissement, not far from the Place de la Bastille.”

(-from aviewoncities.com)

_____________________________________________

Upcoming Events:

hgh

Salvador Dali | Recent Acquisitions

Featuring Over 30 Signed Works on Paper

Private Opening Reception:
Saturday, May 19th, 2012, 6-9pm

RSVP: KDK@ GalerieLareuse.com

Free for Galerie Patrons, $15/guests

Limited to the first 75 guests

Wine & hors d’oeuvres
RSVP by Wednesday, May 15th, 2012

Open to General Public: May 22nd – June 30th, 2012

_______________________________________

Fleur de Lis
GALERIE LAREUSE 

2820 Pennsylvania Avenue, NW | Washington DC 20007
main 202.333.1506   fax 202.333.1507

www.galerielareuse.com
ifpda

Gallery Hours: Tuesday – Saturday 11 - 7 and by appointment

Owner: Jean-Michel “Meech” Lareuse
Curator: Kreg D. Kelley
Assistant Curator: Laura Tighe

Established 1983
www.IFPDA.org

Join Our Mailing List!

 

 

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May at the Hirshhorn

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Sculpting Outside the Lines

Arts in Foggy Bottom presents

Sculpting Outside the Lines //OPENING EVENTS
Third Biennial Foggy Bottom Outdoor Sculpture Exhibit
Curated by Laura Roulet

Saturday April 21 2012
Foggy Bottom Historic District

Exhibit Tours – 4:00 pm
Led by curator Laura Roulet and participating artists
Tour meets at the corner of New Hampshire Ave & I Street, NW

Opportunities for public interaction

3:00 to 6:00 pmTrust and Doubt. by Linda Hesh (800 New Hampshire Ave). You are encouraged to sit on the bench of your choice. The artist will photograph you and caption your portrait with what you trust (or doubt) for an online gallery. What could be more inviting in an election year?

4:00 to 6:00 pm #CR4010 by EH-co (923 Hughes Mews) provides a playful and mysterious booth offering collector merchandise for this art/sport/printing franchise.

7:00 pm Craigslist Unrequited by Peter Lee & Blake Turner (Watergate Gallery) is a reflection upon the desires and fleeting chances that are a part of the daily life in an urban landscape.

Opening Reception – 5:30 to 7:30 pm

Watergate Gallery & Frame Design
2552 Virginia Avenue NW
Washington, DC  20037
202-338-4488
www.watergategalleryframedesign.com

The Exhibit will run from April 21 through October 20.

For information on artists, tours, events, location and the history of Foggy Bottom go to www.foggybottomassociation.com and click on Arts in Foggy Bottom.

The Principal Sponsor of the Sculpture Exhibit is the Foggy Bottom Association Defense and Improvement Corporation. Additional support was generously provided by Modus Hotels and Penzance Real Estate.

 

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Jewelers’werk

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Fleckenstein Gallery

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Walters Art Museum Announces Gift from Robert Meyerhoff

The Walters Art Museum has announced the planned gift by Robert E. Meyerhoff of 21 works of art depicting flowers assembled by his late wife, Jane B. Meyerhoff. This collection includes a selection of watercolors, pastels and drawings by artists such as Delacroix, Cézanne, Schiele, Mondrian, Matisse, Klee, Stella, Dalí and Magritte. Since Jane Meyerhoff was allergic to fragrance she could not have flowers in the house. She decided instead to collect flowers on paper. In the spring of 2007, these artworks were on view at the Walters in the focus show Floral Still Lifes from the Collection of Robert and Jane Meyerhoff.

“We are honored that Robert Meyerhoff is donating this intimate collection of floral still lifes by masters of Romanticism, Impressionism, Surrealism and beyond to share with the public. These works will continue to add depth to the museum’s early modern collections,” said Walters Director Gary Vikan. “We are grateful for their legacy of philanthropy throughout the region.”

Download Art Images »

 

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At the Phillips Collection Now

French Drawings from the Aaronsohn Collection, thru April 29

The exhibition highlights 27 works on paper by modern masters active in France in the late 19th and early 20th centuries and celebrates these recent gifts to the Phillips from Jonathan and Roseann Aaronsohn. It marks the first drawing by Edouard Vuillard (1868–1940) to enter the collection and the Phillips’s first holdings by Bernard Lamotte (1903–1983), Fernand Léger (1881–1955), and Kees van Dongen (1877–1968).

Snapshot: Painters and Photography, Bonnard to Vuillard, thru May 6

For renowned post-impressionist artists like Pierre Bonnard and Edouard Vuillard, the new technology of the Kodak handheld camera energized their working methods and creative vision. Approximately 200 snapshots, most previously unpublished, made by them and five other artistsare displayed with 70 paintings and works on paper that the snapshots inspired, revealing fascinating parallels in cropping, lighting, and vantage point. Organized by The Phillips Collection; the Van Gogh Museum, Amsterdam; and the Indianapolis Museum of Art.

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Kathleen Ewing Open House

Gallery Saturday Open House Continues in April
Saturdays from 12noon to 5pm, or by appointment convenient to your schedule

HIGHLY RECOMMEND:
SNAPSHOT: Painters and Photography, Bonnard to Vuillard
On View through May 6
THE PHILLIPS COLLECTION
1600 21st Street, Washington, DC

Kathleen Ewing Gallery
3615 Ordway Street, Cleveland Park Area [one block off Wisconsin Avenue]
202-328-0955 ~ website: www.kathleenewinggallery.com

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Colby Caldwell: gun shy

March 24—May 25

HEMPHILL

1515 14th Street NW, Washington DC 20005

Gallery Hours: Tuesday through Saturday
10:00am–5:00pm, and by appointment.

Colby Caldwell: gun shy is concurrent with Colby Caldwell: spent at Civilian Art Projects, Washington DC, from March 23 through May 5, 2012. www.civilianartprojects.com

 

 

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Winston Harris – “Influence Over Time”

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Dilip Sheth Artwork

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